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LANGUAGE / PRONUNCIATION

Czech

Standard Czech

Vocabulary, grammar & writing practice →

Start with a consistent model

Standard Czech. The transcriptions are broad teaching models unless a phonetic detail is explicitly identified. Dialect and context can change the surface pronunciation.

Work in order: identify the vowels and consonants → apply the reading rules → add timing and pitch → practise complete words and phrases. Where ordinary spelling leaves information out, learn that information with the word.

New to IPA or mouth-position terminology?

Read the notation before practising

Letters appear in ⟨angle brackets⟩, contrastive sounds in /slashes/, and a particular pronunciation in [brackets]. IPA is a sound alphabet: /j/ is the glide at the start of yes, never automatically the English sound in jet. ˈ marks the start of a stressed syllable; ˌ marks secondary stress; . is a syllable boundary; ː means long; ʰ means a puff of aspiration; ʲ means a simultaneous raised front tongue; ʷ means rounded lips; ̃ above a vowel means nasal airflow. An apostrophe in a language’s spelling can represent a glottal stop, an ejective, a boundary, or something else: consult its chapter. Broad transcriptions deliberately omit predictable detail. They are not acoustic measurements.

Find the places in your mouth

The alveolar ridge is the bump behind the upper front teeth. The hard palate is the firm roof farther back; the soft palate is the flexible rear roof; the uvula hangs behind it. Bilabial sounds use both lips; labiodental sounds use bottom lip and upper teeth; dental sounds use the teeth; alveolar sounds use the ridge; postalveolar sounds use the area just behind it; palatal sounds use the middle tongue against the hard palate; velar sounds use the tongue back against the soft palate. Retroflex means the tongue tip is drawn back; it does not require extreme curling. Pharyngeal sounds narrow the throat below the tongue root. Start gently; throat pain is a reason to stop and reset, not evidence of success.

Separate closure, friction and voicing

Stops briefly seal airflow, then release it: /p t k/. Fricatives maintain a narrow noisy opening: /f s x/. Affricates begin with closure and release into friction at roughly the same place: /tʃ/. Nasals close the mouth path but open the nose path: /m n ŋ/. Approximants narrow without sustained friction: /w j/. A tap /ɾ/ touches once; a trill /r/ lets airflow produce repeated contacts. A lateral /l/ lets air around the sides of the tongue. Put two fingertips lightly on your throat and alternate /ssss/ and /zzzz/: vibration helps distinguish voicing. Do not press on the throat or force a trill.

Aspiration is not voicing

Hold a light strip of tissue in front of your lips. Compare the p in English pin and spin: the first usually produces a stronger puff. Practise /pa pʰa ba/ as three separate targets. In Mandarin, Korean, Hindi and several other languages, English spelling b versus p gives a misleading model. Aspiration is a delay before the following vowel starts voicing; a voiced consonant uses vocal-fold vibration. A breathy voiced consonant combines voicing with extra airflow. An ejective compresses air above a closed glottis; it is neither an ordinary aspirated stop nor simply a louder consonant.

Build vowels with tongue position and lips

For /i/, bring the tongue high and forward without closing the air passage. Open gradually through /e ɛ a/. Move the tongue back for /ɑ ɔ o u/. Lip rounding is a separate choice: hold the tongue of /i/ while rounding to reach /y/; round /e/ for /ø/ and /ɛ/ for /œ/. For /ɯ/, use the tongue position of /u/ with unrounded lips. Central /ə/ is a relaxed mid vowel, but it is not the correct substitute for every unfamiliar vowel. Keep a pure vowel steady; an English-style glide at the end changes /e/ into something closer to /eɪ/. Use a mirror for lips and jaw; the tongue position still needs listening and feedback.

Length, stress and tone are different dimensions

Length changes duration, stress makes a syllable prominent, and tone changes pitch. Practise the same vowel at two durations while keeping pitch steady, then at two pitches while keeping duration steady. A mora is a timing unit: a Japanese long vowel uses two moras even within one syllable. A long consonant holds its closure or friction; do not insert a vowel between two written consonants. Tone numbers use 1 for low and 5 for high relative to your own comfortable speaking range. 35 rises; 51 falls. These are teaching targets, not musical notes. Questions and emotion can shift the whole pitch range without erasing lexical contrasts.

Vowels

Written formIPA / readingWhat to do
a e i/y o ua ɛ ɪ o uFive short vowel qualities; i/y usually share a vowel sound but affect preceding spelling interpretation.
á é í/ý ó ú/ůaː ɛː iː oː uːAcute marks length, not stress. ú and ů share a vowel.
ou; au euou̯; au̯ eu̯ou common; au/eu largely loans.

Consonants

Written formIPA / readingWhat to do
c č s š z žts tʃ s ʃ z ʒDigraph ch is separate /x/.
r řr r̝ř combines a raised trill with friction; it can devoice near voiceless consonants.
ť ď ňc ɟ ɲPalatal consonants, not t/d/n followed by a separate y syllable.
h chɦ xVoiced glottal/breathy h versus voiceless back friction.
p b t d k g f v m n l jp b t d k ɡ f v m n l jl and r can be syllabic.

Spelling → sound

Length and stress

dráha and drahá differ in where the long vowel occurs, but both normally stress the first syllable. Do not move stress to an acute accent.

Soft spelling

dě tě ně signal palatal consonants with /ɛ/; di ti ni often have soft consonants in native words while dy ty ny have hard ones. bě pě vě mě involve additional palatal sequences, commonly /bjɛ pjɛ vjɛ mɲɛ/. Loans create exceptions.

Clusters and voicing

Final voiced obstruents devoice. Clusters show assimilation, with special behavior for v and h. Syllabic r/l permit words such as krk without a written vowel; do not insert an English schwa automatically.

Stress, tone & timing

Primary stress is normally on the first syllable of the word, or on a preceding one-syllable preposition in a stress group. Vowel length remains contrastive in unstressed syllables. Stress is weaker than English vowel-reducing stress.

In a sentence

Keep long vowels long while reducing unnecessary pauses. Consonants adjust voicing across boundaries. Practise ř first as a light trill, then narrow the passage to add friction; forcing the tongue is counterproductive.

Recognize other varieties

Common Czech and Moravian dialects differ from the formal standard in vowels and endings. Use the standard reading rules first, then recognize the local forms you actually hear.

Worked practice

Say the written example before revealing its reading. Isolate the stated contrast, repeat it in a mixed order, then use it in a short phrase. A syllable drill is labeled when it is not a lexical word.

byt

apartment

Reading & articulation

[bɪt]

Short y.

být

to be

Reading & articulation

[biːt]

Long ý.

rada

advice

Reading & articulation

[ˈrada]

Short vowels.

ráda

glad, feminine

Reading & articulation

[ˈraːda]

Long first vowel.

tři

three

Reading & articulation

[tr̝̊ɪ]

Voiceless raised trill near t.

krk

neck

Reading & articulation

[kr̩k]

Syllabic r.

A repeatable ten-minute session

  1. Two minutes: one mouth gesture from the sound tables, without a word.
  2. Three minutes: alternate a contrast from the examples; keep other features unchanged.
  3. Three minutes: read words, then a short sentence from language practice. Mark stress, tone or length before speaking.
  4. Two minutes: record yourself on your device, compare one feature at a time, and note what needs another attempt.

Written answers check your analysis. They cannot listen to or grade your pronunciation. Device speech is supplementary; native-speaker feedback and recordings in the stated variety remain the best way to check fine detail.

Check your reasoning

1. Does an acute mark mean stress?

Show the explanation

No; it marks vowel length.

2. How many syllables does krk have?

Show the explanation

One, with syllabic r.

3. Do ú and ů differ in ordinary standard pronunciation?

Show the explanation

No; both represent /uː/.

Transfer to an unfamiliar word

Take five new words from the vocabulary page. Mark every letter group, syllable boundary, stress/tone/length cue and contextual change. Identify anything the spelling leaves unspecified. Read them in a phrase, then compare with a reliable model. If you cannot explain a reading, return to that rule rather than memorizing an English approximation.

Sound key & references

Open the IPA articulation key
i ɪHigh front unrounded; /ɪ/ is a little lower and more central. Keep /i/ steady rather than adding /j/.
e ɛFront unrounded mid vowels. /e/ has a higher tongue and smaller jaw opening than /ɛ/.
æ a ɑOpen vowels: /æ/ is front and slightly higher, /a/ open front/central, /ɑ/ open back.
y ʏHigh front rounded: keep the tongue near /i/ or /ɪ/ and round the lips.
ø œMid front rounded: round /e/ for /ø/, /ɛ/ for /œ/.
ɨ ɯHigh unrounded: /ɨ/ central, /ɯ/ back. Do not substitute a rounded /u/.
ʉ u ʊHigh rounded: /ʉ/ central, /u/ back, /ʊ/ somewhat lower and more central.
ɤ o ɔMid back: /ɤ/ unrounded, /o/ close-mid rounded, /ɔ/ open-mid rounded.
ə ɜ ɐ ʌCentral mid /ə/, more open /ɜ/, near-open /ɐ/, and open-mid back/central unrounded /ʌ/. Exact placement depends on the language.
p bSeal both lips and release. /p/ voiceless; /b/ voiced. Aspiration is shown separately.
t dSeal at the teeth or ridge as specified by the language; /t/ voiceless, /d/ voiced.
k ɡ qRaise the tongue back for /k ɡ/; /q/ closes farther back at the uvula.
ʔBriefly close the vocal folds: the interruption between the two parts of a deliberate uh-oh. Do not add /h/.
f vBottom lip touches upper teeth; /f/ voiceless, /v/ voiced.
θ ðLight contact near the front teeth with continuing airflow; /θ/ voiceless, /ð/ voiced.
s zNarrow grooved passage near the ridge; /s/ voiceless, /z/ voiced.
ʃ ʒFriction behind the ridge; often some lip rounding. /ʃ/ voiceless, /ʒ/ voiced.
ɕ ʑFriction with the front tongue raised close to the hard palate; narrower and more forward than many English sh sounds.
ʂ ʐTongue tip drawn back for retroflex friction. Do not insert a separate /r/.
ç ʝFront tongue close to the hard palate; /ç/ voiceless and /ʝ/ voiced.
x ɣ χ ʁFriction at soft palate /x ɣ/, farther back near uvula /χ ʁ/. The voiced forms can be weak approximants.
ħ ʕPharyngeal narrowing; /ħ/ voiceless, /ʕ/ voiced. Different from /h/ and from a glottal stop.
h ɦOpen glottal airflow, voiceless /h/ or breathy voiced /ɦ/, shaped by the adjacent vowel.
ɸ βFriction between both lips, without upper teeth touching the lower lip.
ɬ ɮTongue tip contacts the ridge while air escapes noisily around the sides; voiceless /ɬ/, voiced /ɮ/.
tʃ dʒ ts dz tɕA single closure-and-friction gesture, not two syllables. Keep the release at the indicated fricative position.
ʈ ɖRetroflex stops: tongue tip farther back than /t d/. Contact and release without a following r.
c ɟPalatal stops: front/middle tongue closes against the hard palate. Not simply English ch and j.
m n ŋ ɲ ɳ ɴNasal airflow with closures respectively at lips, ridge, soft palate, hard palate, retroflex area, or uvula. /ŋ/ need not include /ɡ/.
l ɫ ʎLateral airflow: /l/ tongue tip at ridge; /ɫ/ adds raised/retracted tongue back; /ʎ/ uses palatal contact.
ɾ r ɹ ɻOne tap /ɾ/, repeated airflow-driven contacts /r/, no-contact approximant /ɹ/, retroflex approximant /ɻ/.
j w ɥ ʋGlides: /j/ tongue near /i/; /w/ near /u/ with rounding; /ɥ/ near /y/; /ʋ/ lower lip approaches upper teeth without strong friction.
ː ̆ ̃ ̥ ̩Long, extra-short, nasalized, voiceless, syllabic. /n̩/ forms a syllable without an extra vowel.
ʰ ʲ ʷ ˤ ʼAspiration, palatalization, labialization, pharyngealization, ejective release. These modify the preceding sound.
ˈ ˌ . |Primary stress, secondary stress, syllable boundary, phrase boundary. Pitch/tone marks follow each chapter’s convention.

Further reading and model background: Šimáčková, Podlipský & Chládková (2012), Czech (JIPA).

Written guide updated 2026-09-19. References differ in dialect, transcription detail and access to recordings; compare the named model rather than assuming every source describes the same accent.

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